Quilt
Photo credit: © Drunell Levinson. All rights reserved.
Accession Number: C.2007.8.67
Dimensions: 6 ft X 3 ft X 2 in
Dimensions (Metric): 15.24 cm X 7.62 cm X 5.08 cm
Dimensions (Metric): 15.24 cm X 7.62 cm X 5.08 cm
Source: Drunell Levinson
Credit Line: Gift of Drunell Levinson and of the contributors to the September 11 Quilts Memorial Exhibition
Innocent Blood
Description
Quilt titled Innocent Blood created by Kiriko Shirobayashi and made with wool, cotton, batting, and thread. This quilt is primarily pink with small white bunny rabbit dolls in the center, clustered in the shape of a heart. A few rabbits are at the top and bottom, as if falling.
Quilt titled Innocent Blood created by Kiriko Shirobayashi and made with wool, cotton, batting, and thread. This quilt is primarily pink with small white bunny rabbit dolls in the center, clustered in the shape of a heart. A few rabbits are at the top and bottom, as if falling.
Historical Notes
Inspired by the AIDS Memorial Quilt, New York City–based arts educator Drunell Levinson conceived a September 11 Quilts Memorial that would bring together the work of artists from around the world. Drawing upon her academic research into mourning customs and her expertise as a quilter and fabric artist, Levinson issued a call for quilts on a website she created for the project. She offered thematic guidelines and requested a uniform size but left the choice of material, style, and subject to each quilter. Within the first year after 9/11, she had received 94 quilts. Over the next two years, the quilts—many using the Twin Towers as a focal point—were displayed throughout the United States and in Japan.
Inspired by the AIDS Memorial Quilt, New York City–based arts educator Drunell Levinson conceived a September 11 Quilts Memorial that would bring together the work of artists from around the world. Drawing upon her academic research into mourning customs and her expertise as a quilter and fabric artist, Levinson issued a call for quilts on a website she created for the project. She offered thematic guidelines and requested a uniform size but left the choice of material, style, and subject to each quilter. Within the first year after 9/11, she had received 94 quilts. Over the next two years, the quilts—many using the Twin Towers as a focal point—were displayed throughout the United States and in Japan.
