Photo credit: 9/11 Memorial staff
Accession Number: C.2007.6.1
Dimensions: 82 in X 80 in X 48 in
Dimensions (Metric): 208.28 cm X 203.2 cm X 121.92 cm
Dimensions (Metric): 208.28 cm X 203.2 cm X 121.92 cm
Sources: Eduardo Giraldo, Sara Grijalva
Credit Line: Gift of the Hispanic Chamber of Commerce, Edvardo Giraldo, president and Sara Grijalva
Twin Towers
Description
Folk art sculpture titled Twin Towers created by the artist Sara Grijalva. The sculpture depicts the World Trade Center Plaza, including the Twin Towers, Koenig's Sphere, benches, lighting, and landscaping. A large arch extends above the model with the figure of a white dove suspended from the arch. The model is decorated with various other tribute elements, like dried flowers, patches, and ornaments. A small plaque in the lower left corner of the base includes text that reads: "In Memory of All the Victims | 9-11-2001 | By Sara Grijalva | Sponsor: Hispanic Chamber of Commerce of Queens."
Folk art sculpture titled Twin Towers created by the artist Sara Grijalva. The sculpture depicts the World Trade Center Plaza, including the Twin Towers, Koenig's Sphere, benches, lighting, and landscaping. A large arch extends above the model with the figure of a white dove suspended from the arch. The model is decorated with various other tribute elements, like dried flowers, patches, and ornaments. A small plaque in the lower left corner of the base includes text that reads: "In Memory of All the Victims | 9-11-2001 | By Sara Grijalva | Sponsor: Hispanic Chamber of Commerce of Queens."
Historical Notes
Based on an earlier memorial design, local artist Sara Grijalva designed Twin Towers in 2003 at the request of Edward Giraldo, the president of the Hispanic Chamber of Commerce in Queens. Ahead of the second anniversary of the 9/11 attacks, the Chamber organized a traditional Colombian memorial procession to honor the Colombians killed. Thanks to an outpouring of generosity from many businesses and individuals, Giraldo was able to bring several Colombian craftsmen to New York City for the parade. Known as silleteros, these men carried elaborate commemorative floral displays on their backs in the tradition of the Flower Parades in Medellín, Colombia.
Silleteros' traditions originated hundreds of years ago, when small-scale farmers traveled from their rural villages above Medellín each spring to sell the beautiful flowers famous in the region. With few roads or cars, flower vendors carried their flowers to the city on their backs in big wooden frames called silletas. This practice became a popular festival in Columbia that is still celebrated today.
Grijalva worked for three weeks to construct Twin Towers from materials that include mesh, wood, plastic, dried flowers, and other organic materials. Her finished creation is a small-scale replica of the World Trade Center that stands 82" tall and rests on a 48" base. The model includes the Twin Towers, the Plaza, and the Koenig's Sphere in the center. She landscaped the plaza with small planters filled with dried flowers, small trees made out of organic materials, benches and the Plaza lighting. An arch frames the piece with a white dove suspended from the arch.
Grijalva proudly carried Twin Towers while marching in the memorial parade with other Hispanic community members, firemen, families of victims, and the silleteros carrying the traditional silletas. At the end, she placed her work near Ground Zero with the other floral wreath sculptures. Eventually, Twin Towers found a temporary home inside the Port Authority Family Trailer and later became part of the Museum's collection.
Based on an earlier memorial design, local artist Sara Grijalva designed Twin Towers in 2003 at the request of Edward Giraldo, the president of the Hispanic Chamber of Commerce in Queens. Ahead of the second anniversary of the 9/11 attacks, the Chamber organized a traditional Colombian memorial procession to honor the Colombians killed. Thanks to an outpouring of generosity from many businesses and individuals, Giraldo was able to bring several Colombian craftsmen to New York City for the parade. Known as silleteros, these men carried elaborate commemorative floral displays on their backs in the tradition of the Flower Parades in Medellín, Colombia.
Silleteros' traditions originated hundreds of years ago, when small-scale farmers traveled from their rural villages above Medellín each spring to sell the beautiful flowers famous in the region. With few roads or cars, flower vendors carried their flowers to the city on their backs in big wooden frames called silletas. This practice became a popular festival in Columbia that is still celebrated today.
Grijalva worked for three weeks to construct Twin Towers from materials that include mesh, wood, plastic, dried flowers, and other organic materials. Her finished creation is a small-scale replica of the World Trade Center that stands 82" tall and rests on a 48" base. The model includes the Twin Towers, the Plaza, and the Koenig's Sphere in the center. She landscaped the plaza with small planters filled with dried flowers, small trees made out of organic materials, benches and the Plaza lighting. An arch frames the piece with a white dove suspended from the arch.
Grijalva proudly carried Twin Towers while marching in the memorial parade with other Hispanic community members, firemen, families of victims, and the silleteros carrying the traditional silletas. At the end, she placed her work near Ground Zero with the other floral wreath sculptures. Eventually, Twin Towers found a temporary home inside the Port Authority Family Trailer and later became part of the Museum's collection.
Curator's Comment
Twin Towers by Sara Grijalva is a case study of 9/11’s reverberations through the global city of New York, with its large Hispanic population and the transnational Colombian community residing in the borough of Queens. By the year 2000, approximately 110,000 city residents self-identified as Colombian. Grijalva herself had immigrated from Colombia in 1980. By remembering the 17 Colombian victims of 9/11, Grijalva and the Hispanic Chamber of Commerce of Queens imported local traditions from their home country to mourning communities in the United States. The artistic gesture reflects the internationalism of 9/11’s human toll and the comfort that was taken in familiar cultural practices.
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Twin Towers by Sara Grijalva is a case study of 9/11’s reverberations through the global city of New York, with its large Hispanic population and the transnational Colombian community residing in the borough of Queens. By the year 2000, approximately 110,000 city residents self-identified as Colombian. Grijalva herself had immigrated from Colombia in 1980. By remembering the 17 Colombian victims of 9/11, Grijalva and the Hispanic Chamber of Commerce of Queens imported local traditions from their home country to mourning communities in the United States. The artistic gesture reflects the internationalism of 9/11’s human toll and the comfort that was taken in familiar cultural practices.
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