Photo credit: Provided by donor
Accession Number: C.2022.20.1
Dimensions: 12.5 in X 18.5 in
Dimensions (Metric): 31.75 cm X 46.99 cm
Dimensions (Metric): 31.75 cm X 46.99 cm
Source: John Jay and Gail Schwartz
Credit Line: Gift of Mr. and Mrs. John Jay and Gail Schwartz
Description
Print by Lili Réthi (1894-1969), dated June 30, 1967, depicting the construction of the World Trade Center site. On the right side is the Hudson River and West Side Highway as well as the piers and docks in existence prior to the creation of Battery Park City. The 90 West Street residential building is in the center. The site itself appears to still be in the demolition phase of the former neighborhood. The artist's signature appears in the lower right corner.
Print by Lili Réthi (1894-1969), dated June 30, 1967, depicting the construction of the World Trade Center site. On the right side is the Hudson River and West Side Highway as well as the piers and docks in existence prior to the creation of Battery Park City. The 90 West Street residential building is in the center. The site itself appears to still be in the demolition phase of the former neighborhood. The artist's signature appears in the lower right corner.
Historical Notes
To capture the grandeur of the World Trade Center’s construction, architectural artists Lili Réthi and Nicholas Solovioff made sketches for the Port Authority beginning in 1967. These prints chronicle the rise of the Twin Towers through 1973. Books of these illustrations went to World Trade Center consultants, collaborators, and prospective tenants as gifts.
To capture the grandeur of the World Trade Center’s construction, architectural artists Lili Réthi and Nicholas Solovioff made sketches for the Port Authority beginning in 1967. These prints chronicle the rise of the Twin Towers through 1973. Books of these illustrations went to World Trade Center consultants, collaborators, and prospective tenants as gifts.
Curator's Comment
Lili Réthi (1894-1969) was born in Vienna, Austria and studied at the Art School for Women and Girls in 1917. She also studied under artists Otto Friedrich and Sir Frank William Brangwyn. Early in her career, she focused on the industrial growth made possible by human labor. Réthi fled Vienna as the Nazis rose to power and immigrated to the United States in 1939, eventually settling in New York City. She illustrated over 50 books, many with a focus on architectural and engineering subjects. Another construction-site drawing project she produced featured the Verrazano Bridge. Réthi worked to build rapport with those whose work she was documenting and captured their humanity alongside the built environment. Her work can be seen in numerous museums, including the Metropolitan Museum of Art, the Museum of the City of New York, and the National Gallery of Art in Washington D.C.
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Lili Réthi (1894-1969) was born in Vienna, Austria and studied at the Art School for Women and Girls in 1917. She also studied under artists Otto Friedrich and Sir Frank William Brangwyn. Early in her career, she focused on the industrial growth made possible by human labor. Réthi fled Vienna as the Nazis rose to power and immigrated to the United States in 1939, eventually settling in New York City. She illustrated over 50 books, many with a focus on architectural and engineering subjects. Another construction-site drawing project she produced featured the Verrazano Bridge. Réthi worked to build rapport with those whose work she was documenting and captured their humanity alongside the built environment. Her work can be seen in numerous museums, including the Metropolitan Museum of Art, the Museum of the City of New York, and the National Gallery of Art in Washington D.C.
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