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Photo credit: 9/11 Memorial staff
Accession Number: C.2010.9.3014
Dimensions: 7 in X 4.875 in
Dimensions (Metric): 17.78 cm X 12.3825 cm
Dimensions (Metric): 17.78 cm X 12.3825 cm
Source: Michael Ragsdale
Credit Line: The Michael Ragsdale 9/11 Aftermath Paper Ephemera Collection
Description
Advertisement for the Heroes of 2001 first-class stamp featuring the iconic Thomas Franklin "Raising the Flag at Ground Zero" image.
Advertisement for the Heroes of 2001 first-class stamp featuring the iconic Thomas Franklin "Raising the Flag at Ground Zero" image.
Historical Notes
On the afternoon of September 11, 2001, FDNY Firefighter Dan McWilliams spotted a flag on a yacht—the Star of America owned by Spiros Kopelakis and Shirley Dreifus—docked at a marina near the World Trade Center site. McWilliams, along with FDNY Firefighters Billy Eisengrein and George Johnson, raised the flag on a 20-foot pile of debris on the site near West Street. The flag raising lifted the spirits of rescue workers.
Several photographers captured the moment, including Thomas Franklin, a staff photographer at a New Jersey newspaper, The Bergen Record. Franklin’s photo, shot with a telephoto lens shortly after 5 p.m., was part of a sequence of images documenting the determined efforts of the responders to hoist the flag and appeared on the front-page issue of The Bergen Record the following day. The photo was also released to the Associated Press wire, which resulted in the picture’s publication in several international papers. In the atmosphere of resurgent patriotism following the 9/11 attacks, Franklin’s photo became iconic.
In 2002, the United States Postal Service introduced the “Heroes” stamp featuring Franklin’s photo.
On the afternoon of September 11, 2001, FDNY Firefighter Dan McWilliams spotted a flag on a yacht—the Star of America owned by Spiros Kopelakis and Shirley Dreifus—docked at a marina near the World Trade Center site. McWilliams, along with FDNY Firefighters Billy Eisengrein and George Johnson, raised the flag on a 20-foot pile of debris on the site near West Street. The flag raising lifted the spirits of rescue workers.
Several photographers captured the moment, including Thomas Franklin, a staff photographer at a New Jersey newspaper, The Bergen Record. Franklin’s photo, shot with a telephoto lens shortly after 5 p.m., was part of a sequence of images documenting the determined efforts of the responders to hoist the flag and appeared on the front-page issue of The Bergen Record the following day. The photo was also released to the Associated Press wire, which resulted in the picture’s publication in several international papers. In the atmosphere of resurgent patriotism following the 9/11 attacks, Franklin’s photo became iconic.
In 2002, the United States Postal Service introduced the “Heroes” stamp featuring Franklin’s photo.
Curator's Comment
At the time of the September 11th terror attacks, Michael Ragsdale, a New York City-based video producer, was employed as a senior technician for Audio Visual Services at the College of Physicians & Surgeons at Columbia University Medical Center and occasional video crew member for C-SPAN. His private passion was autograph collecting, a hobby fortified by his active participation in the Ephemera Society. On the morning of the attacks, Ragsdale voted in the NYC Primary Election and then headed to his first work assignment where NY Governor George Pataki was scheduled to speak. Just before 9 A.M., while preparing the set-up, Ragsdale noticed the beepers worn by Pataki’s staff beginning to go off simultaneously. They exited the building as a group, abruptly canceling the press conference, a signal to Ragsdale that something serious had happened. Sometime later, Ragsdale spotted hundreds of receipts littering the ground in the vicinity of a group of ATM bank machines all marked with the same words: “transaction denied, 9-11-01.” He paused to pick up and pocket one of the receipts. Thus, was born an idea for a new collection.
Ragsdale's impulse to collect ephemera related to the World Trade Center and the aftermath of the attacks culminated in a vast and unique archive of paper ephemera. Fliers, posters, brochures, cards, public notices, copies of speeches, lesser-known publications and event programs. Not meant to be saved, most were mass produced for easy distribution. Numbering over 4,000 individual pieces, the materials document a breadth of urgent messages and evolving information reflecting the efforts of New Yorkers to cope with 9/11’s disruptions and repercussions. Communications include expressions of mourning and tribute; cries for civic participation, discussion and rebuilding; calls for volunteers; denunciations of terrorism and violence; pleas for peace, protest or tolerance; offers of help from the federal government, state, city and other service groups; and appeals for reflection, love and prayer.
Chronologically, Ragsdale’s collection spans a 14-month period, from September 2001 through winter 2002. It is organized by category: Pre-9/11 mailers; United Nations ephemera; the 9/11 brochures; Offers of Help and Healing; Calls for Peace and Tolerance; Religious Reaction; Red Cross and Travel ephemera; Lesser-known publications; One Year Anniversary ephemera; and Miscellaneous materials.;At the time of the September 11th terror attacks, Michael Ragsdale, a New York City-based video producer, was employed as a senior technician for Audio Visual Services at the College of Physicians & Surgeons at Columbia University Medical Center and as an occasional video crew member for C-SPAN. His private passion was autograph collecting, a hobby fortified by his active participation in the Ephemera Society. On the morning of the attacks, Ragsdale voted in the NYC Primary Election and then headed to his first work assignment, where NY Governor George Pataki was scheduled to speak. Just before 9 a.m., while preparing the AV setup, Ragsdale noticed the beepers worn by Pataki’s staff beginning to go off simultaneously. They exited the building as a group, abruptly canceling the press conference—a signal to Ragsdale that something serious had happened. Sometime later, Ragsdale spotted hundreds of receipts littering the ground in the vicinity of a group of ATMs all marked with the same phrase: “Transaction denied, 9-11-01.” He paused to pick up and pocket one of the receipts, and an idea for a new collection was born.
Ragsdale's impulse to collect ephemera related to the World Trade Center and the attack's aftermath culminated in a vast and unique archive of paper ephemera, including fliers, posters, brochures, cards, public notices, copies of speeches, lesser-known publications, and event programs. Not meant to be saved, most were mass-produced for easy distribution. Numbering over 4,000 individual pieces, the materials document a breadth of urgent messages and evolving information reflecting the efforts of New Yorkers to cope with 9/11’s disruptions and repercussions. Communications include expressions of mourning and tribute; cries for civic participation, discussion, and rebuilding; calls for volunteers; denunciations of terrorism and violence; pleas for peace, protest, or tolerance; offers of help from the federal government, state, city, and other service groups; and appeals for reflection, love, and prayer.
Chronologically, Ragsdale’s collection spans a 14-month period, from September 2001 through winter 2002. It is organized by category: Pre-9/11 Mailers; United Nations Ephemera; the 9/11 Brochures; Offers of Help and Healing; Calls for Peace and Tolerance; Religious Reaction; Red Cross and Travel Ephemera; Lesser Known Publications; One Year Anniversary Ephemera; and Miscellaneous Materials.
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At the time of the September 11th terror attacks, Michael Ragsdale, a New York City-based video producer, was employed as a senior technician for Audio Visual Services at the College of Physicians & Surgeons at Columbia University Medical Center and occasional video crew member for C-SPAN. His private passion was autograph collecting, a hobby fortified by his active participation in the Ephemera Society. On the morning of the attacks, Ragsdale voted in the NYC Primary Election and then headed to his first work assignment where NY Governor George Pataki was scheduled to speak. Just before 9 A.M., while preparing the set-up, Ragsdale noticed the beepers worn by Pataki’s staff beginning to go off simultaneously. They exited the building as a group, abruptly canceling the press conference, a signal to Ragsdale that something serious had happened. Sometime later, Ragsdale spotted hundreds of receipts littering the ground in the vicinity of a group of ATM bank machines all marked with the same words: “transaction denied, 9-11-01.” He paused to pick up and pocket one of the receipts. Thus, was born an idea for a new collection.
Ragsdale's impulse to collect ephemera related to the World Trade Center and the aftermath of the attacks culminated in a vast and unique archive of paper ephemera. Fliers, posters, brochures, cards, public notices, copies of speeches, lesser-known publications and event programs. Not meant to be saved, most were mass produced for easy distribution. Numbering over 4,000 individual pieces, the materials document a breadth of urgent messages and evolving information reflecting the efforts of New Yorkers to cope with 9/11’s disruptions and repercussions. Communications include expressions of mourning and tribute; cries for civic participation, discussion and rebuilding; calls for volunteers; denunciations of terrorism and violence; pleas for peace, protest or tolerance; offers of help from the federal government, state, city and other service groups; and appeals for reflection, love and prayer.
Chronologically, Ragsdale’s collection spans a 14-month period, from September 2001 through winter 2002. It is organized by category: Pre-9/11 mailers; United Nations ephemera; the 9/11 brochures; Offers of Help and Healing; Calls for Peace and Tolerance; Religious Reaction; Red Cross and Travel ephemera; Lesser-known publications; One Year Anniversary ephemera; and Miscellaneous materials.;At the time of the September 11th terror attacks, Michael Ragsdale, a New York City-based video producer, was employed as a senior technician for Audio Visual Services at the College of Physicians & Surgeons at Columbia University Medical Center and as an occasional video crew member for C-SPAN. His private passion was autograph collecting, a hobby fortified by his active participation in the Ephemera Society. On the morning of the attacks, Ragsdale voted in the NYC Primary Election and then headed to his first work assignment, where NY Governor George Pataki was scheduled to speak. Just before 9 a.m., while preparing the AV setup, Ragsdale noticed the beepers worn by Pataki’s staff beginning to go off simultaneously. They exited the building as a group, abruptly canceling the press conference—a signal to Ragsdale that something serious had happened. Sometime later, Ragsdale spotted hundreds of receipts littering the ground in the vicinity of a group of ATMs all marked with the same phrase: “Transaction denied, 9-11-01.” He paused to pick up and pocket one of the receipts, and an idea for a new collection was born.
Ragsdale's impulse to collect ephemera related to the World Trade Center and the attack's aftermath culminated in a vast and unique archive of paper ephemera, including fliers, posters, brochures, cards, public notices, copies of speeches, lesser-known publications, and event programs. Not meant to be saved, most were mass-produced for easy distribution. Numbering over 4,000 individual pieces, the materials document a breadth of urgent messages and evolving information reflecting the efforts of New Yorkers to cope with 9/11’s disruptions and repercussions. Communications include expressions of mourning and tribute; cries for civic participation, discussion, and rebuilding; calls for volunteers; denunciations of terrorism and violence; pleas for peace, protest, or tolerance; offers of help from the federal government, state, city, and other service groups; and appeals for reflection, love, and prayer.
Chronologically, Ragsdale’s collection spans a 14-month period, from September 2001 through winter 2002. It is organized by category: Pre-9/11 Mailers; United Nations Ephemera; the 9/11 Brochures; Offers of Help and Healing; Calls for Peace and Tolerance; Religious Reaction; Red Cross and Travel Ephemera; Lesser Known Publications; One Year Anniversary Ephemera; and Miscellaneous Materials.
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