Collage
Photo credit: Jin S. Lee
Accession Number: C.2014.404.21
Dimensions: 18 in X 24 in
Dimensions (Metric): 45.72 cm X 60.96 cm
Dimensions (Metric): 45.72 cm X 60.96 cm
Source: John A. Schweitzer
Credit Line: Gift of the artist, in celebration of the resilient American spirit
Fresh Kills: Elegy XVII
Description
Framed collage titled Fresh Kills: Elegy XVII by John Schweitzer. This piece depicts a page from the New York Times, September 29, 2001, with a child’s drawing of an American flag and an outline of a world on top in yellow paint. At the bottom is a picture of a collage of torn construction paper depicting an airplane crashing into two towers attributed to Joel Cruz, 8, from The Day Our World Changed: Children's Art of 9/11.
Framed collage titled Fresh Kills: Elegy XVII by John Schweitzer. This piece depicts a page from the New York Times, September 29, 2001, with a child’s drawing of an American flag and an outline of a world on top in yellow paint. At the bottom is a picture of a collage of torn construction paper depicting an airplane crashing into two towers attributed to Joel Cruz, 8, from The Day Our World Changed: Children's Art of 9/11.
Historical Notes
In response to the events of 9/11, artist John Schweitzer created Fresh Kills: XXIV Elegies, a series of 24 collages made by attaching mixed materials, mainly found ephemera, onto a flat surface. Though he was not in New York on September 11, 2001, he had previously lived in the city for five years and was deeply saddened by the attacks that targeted his former home and country.
In response to the events of 9/11, artist John Schweitzer created Fresh Kills: XXIV Elegies, a series of 24 collages made by attaching mixed materials, mainly found ephemera, onto a flat surface. Though he was not in New York on September 11, 2001, he had previously lived in the city for five years and was deeply saddened by the attacks that targeted his former home and country.
Curator's Comment
The career of Canadian artist John Schweitzer has focused predominantly on the production of mixed-media collages, works of art made by attaching materials onto a flat surface. As a former resident of New York, Schweitzer turned to his preferred medium to respond to the 9/11 tragedy through his art. Using materials found and gathered around Montreal, such as newspapers, paper bags, playing cards, and fabrics, Schweitzer set to work creating this series of 24 collages.
The title he gave to the finished series, Fresh Kills: XXIV Elegies, alludes to the then recently closed landfill facility in Staten Island where, from September 2001 to June 2002, wreckage from the World Trade Center site was transported and sifted for human remains, personal effects, and investigative evidence. It was a solemn place, closed to the public, and critical to forensic activities in service to the recovery mission during its 10 months of operation.
In a career spanning more than 40 years, Schweitzer has occupied many roles in the art world, including those of artist, collector, critic, and curator. In 2003, he was inducted into the Royal Canadian Academy of Arts.
HIDE
The career of Canadian artist John Schweitzer has focused predominantly on the production of mixed-media collages, works of art made by attaching materials onto a flat surface. As a former resident of New York, Schweitzer turned to his preferred medium to respond to the 9/11 tragedy through his art. Using materials found and gathered around Montreal, such as newspapers, paper bags, playing cards, and fabrics, Schweitzer set to work creating this series of 24 collages.
The title he gave to the finished series, Fresh Kills: XXIV Elegies, alludes to the then recently closed landfill facility in Staten Island where, from September 2001 to June 2002, wreckage from the World Trade Center site was transported and sifted for human remains, personal effects, and investigative evidence. It was a solemn place, closed to the public, and critical to forensic activities in service to the recovery mission during its 10 months of operation.
In a career spanning more than 40 years, Schweitzer has occupied many roles in the art world, including those of artist, collector, critic, and curator. In 2003, he was inducted into the Royal Canadian Academy of Arts.
HIDE
