Collage
Photo credit: Jin S. Lee
Accession Number: C.2014.404.17
Dimensions: 28.75 in X 20.5 in
Dimensions (Metric): 73.025 cm X 52.07 cm
Dimensions (Metric): 73.025 cm X 52.07 cm
Source: John A. Schweitzer
Credit Line: Gift of the artist, in celebration of the resilient American spirit
Fresh Kills: Elegy XV
Description
Framed collage titled Fresh Kills: Elegy XV by John Schweitzer. This piece depicts corrugated cardboard layered with newspaper pages from the New York Times, May 26, 2002, with the headline “Fighting to Live as the Towers Died” with a close-up image of people hanging out of the windows of the Towers. A partial page from the National Post, September 12, 2001, includes a similar photo. A large piece of black paper on the right is layered with a small piece of corrugated cardboard with a window cut out of it. In the upper right is XV written in Roman numerals in pastel.
Framed collage titled Fresh Kills: Elegy XV by John Schweitzer. This piece depicts corrugated cardboard layered with newspaper pages from the New York Times, May 26, 2002, with the headline “Fighting to Live as the Towers Died” with a close-up image of people hanging out of the windows of the Towers. A partial page from the National Post, September 12, 2001, includes a similar photo. A large piece of black paper on the right is layered with a small piece of corrugated cardboard with a window cut out of it. In the upper right is XV written in Roman numerals in pastel.
Historical Notes
In response to the events of 9/11, artist John Schweitzer created Fresh Kills: XXIV Elegies, a series of 24 collages made by attaching mixed materials, mainly found ephemera, onto a flat surface. Though he was not in New York on September 11, 2001, he had previously lived in the city for five years and was deeply saddened by the attacks that targeted his former home and country.
In response to the events of 9/11, artist John Schweitzer created Fresh Kills: XXIV Elegies, a series of 24 collages made by attaching mixed materials, mainly found ephemera, onto a flat surface. Though he was not in New York on September 11, 2001, he had previously lived in the city for five years and was deeply saddened by the attacks that targeted his former home and country.
Curator's Comment
The career of Canadian artist John Schweitzer has focused predominantly on the production of mixed-media collages, works of art made by attaching materials onto a flat surface. As a former resident of New York, Schweitzer turned to his preferred medium to respond to the 9/11 tragedy through his art. Using materials found and gathered around Montreal, such as newspapers, paper bags, playing cards, and fabrics, Schweitzer set to work creating this series of 24 collages.
The title he gave to the finished series, Fresh Kills: XXIV Elegies, alludes to the then recently closed landfill facility in Staten Island where, from September 2001 to June 2002, wreckage from the World Trade Center site was transported and sifted for human remains, personal effects, and investigative evidence. It was a solemn place, closed to the public, and critical to forensic activities in service to the recovery mission during its 10 months of operation.
In a career spanning more than 40 years, Schweitzer has occupied many roles in the art world, including those of artist, collector, critic, and curator. In 2003, he was inducted into the Royal Canadian Academy of Arts.
HIDE
The career of Canadian artist John Schweitzer has focused predominantly on the production of mixed-media collages, works of art made by attaching materials onto a flat surface. As a former resident of New York, Schweitzer turned to his preferred medium to respond to the 9/11 tragedy through his art. Using materials found and gathered around Montreal, such as newspapers, paper bags, playing cards, and fabrics, Schweitzer set to work creating this series of 24 collages.
The title he gave to the finished series, Fresh Kills: XXIV Elegies, alludes to the then recently closed landfill facility in Staten Island where, from September 2001 to June 2002, wreckage from the World Trade Center site was transported and sifted for human remains, personal effects, and investigative evidence. It was a solemn place, closed to the public, and critical to forensic activities in service to the recovery mission during its 10 months of operation.
In a career spanning more than 40 years, Schweitzer has occupied many roles in the art world, including those of artist, collector, critic, and curator. In 2003, he was inducted into the Royal Canadian Academy of Arts.
HIDE
