Quilt
Photo credit: Michael Hnatov
Accession Number: C.2014.403.6
Dimensions: 11.75 ft X 5.75 ft X 0.375 in
Dimensions (Metric): 29.845 cm X 14.605 cm X 0.9525 cm
Dimensions (Metric): 29.845 cm X 14.605 cm X 0.9525 cm
Source: Bill Bace
Credit Line: Gift of An American Quilt, Inc.
Description
Quilt panel composed of four individual handmade quilts from the project An American Quilt.
The first quilt was created in memory of Donald G. Havlish Jr. The border fabric is of the NYC skyline at night with the Twin Towers. There are multiple photo transfers and written remembrances. In the center is a portrait photograph with embroidery above depicting a duck and text: "Donald G. Havish Jr." Below the photograph is embroidery depicting two ducks and text: "I Love You | 01-25-48 — 09-11-01."
The second quilt is red with blue appliquéd stars and was created in memory of Peter A. Chirchirillo. The fabric in the center depicts a big teddy bear sleeping on a crescent moon. A photo transfer is to its left. On the back is a small photo transfer with a note from Clara, Mike, and Nick.
The quilt on the top right, created in memory of John Michael Rodak is primarily green with a cream-colored border and is covered in scrapbook page photo transfers. At the bottom is text: "The Space Between the Tears We Cry is the Laughter that Keeps Us Coming Back for More. | We Love and Miss You John. Love Mom and Joanne."
The quilt on the bottom right was created in memory of Peter Keith Ortale and is covered in photo transfers, each framed with American flag-themed fabric.
Quilt panel composed of four individual handmade quilts from the project An American Quilt.
The first quilt was created in memory of Donald G. Havlish Jr. The border fabric is of the NYC skyline at night with the Twin Towers. There are multiple photo transfers and written remembrances. In the center is a portrait photograph with embroidery above depicting a duck and text: "Donald G. Havish Jr." Below the photograph is embroidery depicting two ducks and text: "I Love You | 01-25-48 — 09-11-01."
The second quilt is red with blue appliquéd stars and was created in memory of Peter A. Chirchirillo. The fabric in the center depicts a big teddy bear sleeping on a crescent moon. A photo transfer is to its left. On the back is a small photo transfer with a note from Clara, Mike, and Nick.
The quilt on the top right, created in memory of John Michael Rodak is primarily green with a cream-colored border and is covered in scrapbook page photo transfers. At the bottom is text: "The Space Between the Tears We Cry is the Laughter that Keeps Us Coming Back for More. | We Love and Miss You John. Love Mom and Joanne."
The quilt on the bottom right was created in memory of Peter Keith Ortale and is covered in photo transfers, each framed with American flag-themed fabric.
Historical Notes
An American Quilt, Inc., was conceived by lawyer and New York City resident Bill Bace in the days after September 11, 2001. Bace was familiar with the NAMES Project AIDS Memorial Quilt that honored the victims of the AIDS pandemic and felt that an undertaking of similar scope might help grieving relatives and others find some comfort through the ritual of collective remembrance.
In late September 2001, An American Quilt, Inc., was launched as a disaster relief charity, open to all interested participants. No prior needlecraft experience was required. Makers were encouraged to submit quilt designs measuring three feet by six feet and that memorialized a specific individual killed on 9/11 or paid tribute to an affiliated group of victims. With the October 2001 advent of Operation Enduring Freedom in Afghanistan, several families of U.S. military casualties soon connected with the project organizers and submitted quilts in recognition of loved ones killed in the War on Terror.
More than 60 quilt panels were contributed to the project and were sewn together in groups of three to four panels for display in July 2002 at the Naumberg Bandshell in Central Park. The panels were then displayed in Washington, D.C., on the National Mall around the first anniversary of 9/11.
The evolution of this communal artwork was the subject of An American Quilt: Stitching Together Our 9/11 Memories (2016), a documentary by New York City–based collaborators Roz Sohnen and Lynn Cassanati. This sensitive film gave voice to the emotions and choices that six families navigated as they composed their respective panels and took comfort in that act of tactile tribute.
In 2013, Bill Bace donated the ensemble of quilts to the Museum.
An American Quilt, Inc., was conceived by lawyer and New York City resident Bill Bace in the days after September 11, 2001. Bace was familiar with the NAMES Project AIDS Memorial Quilt that honored the victims of the AIDS pandemic and felt that an undertaking of similar scope might help grieving relatives and others find some comfort through the ritual of collective remembrance.
In late September 2001, An American Quilt, Inc., was launched as a disaster relief charity, open to all interested participants. No prior needlecraft experience was required. Makers were encouraged to submit quilt designs measuring three feet by six feet and that memorialized a specific individual killed on 9/11 or paid tribute to an affiliated group of victims. With the October 2001 advent of Operation Enduring Freedom in Afghanistan, several families of U.S. military casualties soon connected with the project organizers and submitted quilts in recognition of loved ones killed in the War on Terror.
More than 60 quilt panels were contributed to the project and were sewn together in groups of three to four panels for display in July 2002 at the Naumberg Bandshell in Central Park. The panels were then displayed in Washington, D.C., on the National Mall around the first anniversary of 9/11.
The evolution of this communal artwork was the subject of An American Quilt: Stitching Together Our 9/11 Memories (2016), a documentary by New York City–based collaborators Roz Sohnen and Lynn Cassanati. This sensitive film gave voice to the emotions and choices that six families navigated as they composed their respective panels and took comfort in that act of tactile tribute.
In 2013, Bill Bace donated the ensemble of quilts to the Museum.
