Quilt
Photo credit: Michael Hnatov
Accession Number: C.2014.403.13
Dimensions: 6 ft X 12 ft X 0.375 in
Dimensions (Metric): 15.24 cm X 30.48 cm X 0.9525 cm
Dimensions (Metric): 15.24 cm X 30.48 cm X 0.9525 cm
Source: Bill Bace
Credit Line: Gift of An American Quilt, Inc.
Description
Quilt panel composed of four individual handmade quilts from the project An American Quilt.
The first quilt, created in memory of Horace Robert Passananti, has a golf-themed fabric around the border. In the blue center various images are painted on the fabric to represent memories, along with photo transfers and puff paint notes. "Horace R. Passananti" is in green appliquéd letters.
The second quilt, created in memory of Paul Regan Cascio, has multiple photo transfers. "Paul Regan Cascio" is appliquéd in fabric using the colors of the German, Irish, and Italian flags.
The third quilt is a patchwork quilt in memory of Suzanne Rose Kondratenko. Each patch contains a quote or written remembrance. In the center is a transfer of a drawing of Kondratenko, below which is written: “Suzanne Kondratenko | March 3, 1974 – September 11, 2001 | A senior consultant with Chicago’s Keane consulting group on assignment for Aon Corporation – Tower 2.”
The last quilt is in memory of Vincent Boland Jr. The center has computer-themed fabric cut into the shape of a computer with a photo transfer in the center and text: "Vincent Boland Jr. | Aug 4, 1976 – Sept 11, 2001." The top has a patch for New York University and the bottom a patch for Stanford University.
Quilt panel composed of four individual handmade quilts from the project An American Quilt.
The first quilt, created in memory of Horace Robert Passananti, has a golf-themed fabric around the border. In the blue center various images are painted on the fabric to represent memories, along with photo transfers and puff paint notes. "Horace R. Passananti" is in green appliquéd letters.
The second quilt, created in memory of Paul Regan Cascio, has multiple photo transfers. "Paul Regan Cascio" is appliquéd in fabric using the colors of the German, Irish, and Italian flags.
The third quilt is a patchwork quilt in memory of Suzanne Rose Kondratenko. Each patch contains a quote or written remembrance. In the center is a transfer of a drawing of Kondratenko, below which is written: “Suzanne Kondratenko | March 3, 1974 – September 11, 2001 | A senior consultant with Chicago’s Keane consulting group on assignment for Aon Corporation – Tower 2.”
The last quilt is in memory of Vincent Boland Jr. The center has computer-themed fabric cut into the shape of a computer with a photo transfer in the center and text: "Vincent Boland Jr. | Aug 4, 1976 – Sept 11, 2001." The top has a patch for New York University and the bottom a patch for Stanford University.
Historical Notes
An American Quilt, Inc., was conceived by lawyer and New York City resident Bill Bace in the days after September 11, 2001. Bace was familiar with the NAMES Project AIDS Memorial Quilt that honored the victims of the AIDS pandemic and felt that an undertaking of similar scope might help grieving relatives and others find some comfort through the ritual of collective remembrance.
In late September 2001, An American Quilt, Inc., was launched as a disaster relief charity, open to all interested participants. No prior needlecraft experience was required. Makers were encouraged to submit quilt designs measuring three feet by six feet and that memorialized a specific individual killed on 9/11 or paid tribute to an affiliated group of victims. With the October 2001 advent of Operation Enduring Freedom in Afghanistan, several families of U.S. military casualties soon connected with the project organizers and submitted quilts in recognition of loved ones killed in the War on Terror.
More than 60 quilt panels were contributed to the project and were sewn together in groups of three to four panels for display in July 2002 at the Naumberg Bandshell in Central Park. The panels were then displayed in Washington, D.C., on the National Mall around the first anniversary of 9/11.
The evolution of this communal artwork was the subject of An American Quilt: Stitching Together Our 9/11 Memories (2016), a documentary by New York City–based collaborators Roz Sohnen and Lynn Cassanati. This sensitive film gave voice to the emotions and choices that six families navigated as they composed their respective panels and took comfort in that act of tactile tribute.
In 2013, Bill Bace donated the ensemble of quilts to the Museum.
An American Quilt, Inc., was conceived by lawyer and New York City resident Bill Bace in the days after September 11, 2001. Bace was familiar with the NAMES Project AIDS Memorial Quilt that honored the victims of the AIDS pandemic and felt that an undertaking of similar scope might help grieving relatives and others find some comfort through the ritual of collective remembrance.
In late September 2001, An American Quilt, Inc., was launched as a disaster relief charity, open to all interested participants. No prior needlecraft experience was required. Makers were encouraged to submit quilt designs measuring three feet by six feet and that memorialized a specific individual killed on 9/11 or paid tribute to an affiliated group of victims. With the October 2001 advent of Operation Enduring Freedom in Afghanistan, several families of U.S. military casualties soon connected with the project organizers and submitted quilts in recognition of loved ones killed in the War on Terror.
More than 60 quilt panels were contributed to the project and were sewn together in groups of three to four panels for display in July 2002 at the Naumberg Bandshell in Central Park. The panels were then displayed in Washington, D.C., on the National Mall around the first anniversary of 9/11.
The evolution of this communal artwork was the subject of An American Quilt: Stitching Together Our 9/11 Memories (2016), a documentary by New York City–based collaborators Roz Sohnen and Lynn Cassanati. This sensitive film gave voice to the emotions and choices that six families navigated as they composed their respective panels and took comfort in that act of tactile tribute.
In 2013, Bill Bace donated the ensemble of quilts to the Museum.
