Quilt
Photo credit: Michael Hnatov
Accession Number: C.2012.31.1
Dimensions: 43 in X 43 in
Dimensions (Metric): 109.22 cm X 109.22 cm
Dimensions (Metric): 109.22 cm X 109.22 cm
Source: Susan Lynn Rasweiler Bauer
Credit Line: Gift of the Rasweiler family in memory of R. Mark Rasweiler
Description
Handmade memorial quilt created in memory of R. Mark Rasweiler. The quilt is made with 9 squares of red, white, and blue-patterned fabric. The center patch depicts a transfer of the missing poster for R. Mark Rasweiler. The backing of the quilt is an American flag-themed fabric.
Handmade memorial quilt created in memory of R. Mark Rasweiler. The quilt is made with 9 squares of red, white, and blue-patterned fabric. The center patch depicts a transfer of the missing poster for R. Mark Rasweiler. The backing of the quilt is an American flag-themed fabric.
Historical Notes
Mark Rasweiler was born in Brooklyn. He and his wife, Susan, had two grown daughters and lived with their teenage son in Flemington, New Jersey. On weekends, Mark and his son went canoeing on a stream near home to fish for smallmouth bass and trout. A vice president at Marsh & McLennan, Mark was at work there on the 100th floor of the North Tower on September 11. He was 53 years old.
Mark Rasweiler was born in Brooklyn. He and his wife, Susan, had two grown daughters and lived with their teenage son in Flemington, New Jersey. On weekends, Mark and his son went canoeing on a stream near home to fish for smallmouth bass and trout. A vice president at Marsh & McLennan, Mark was at work there on the 100th floor of the North Tower on September 11. He was 53 years old.
Curator's Comment
The terrorist attacks of September 11, 2001, ignited a global passion to provide aid and comfort. For those unable to participate in actual rescue and recovery efforts at the various disaster sites, quilting emerged as one practical and creative way to demonstrate compassion and support for 9/11 family members, responders, survivors, and others who were profoundly affected by the attacks.
Traditionally the outcome of either communal or solitary cutting, piecing, and sewing efforts, quilts are both functional and tactile expressions of their makers’ emotions, ideas, and materials at hand that could be recruited into meaningful service. Those drawn to making quilts in response to 9/11 frequently used patriotic motifs, religious symbols, and images that quickly became emblematic of the attacks, such as the Twin Towers, the 5-sided Pentagon, airplanes, and firefighting paraphernalia. Some quilts served as memorial gestures in honor of specific individuals or groups of coworkers who had been killed while also performing therapeutic and healing functions for those making them. Communication of the magnitude of human loss suffered on 9/11 and the event’s disproportionate impact on particular companies, agencies, towns, and colleges are other themes that emerged among quilters.
HIDE
The terrorist attacks of September 11, 2001, ignited a global passion to provide aid and comfort. For those unable to participate in actual rescue and recovery efforts at the various disaster sites, quilting emerged as one practical and creative way to demonstrate compassion and support for 9/11 family members, responders, survivors, and others who were profoundly affected by the attacks.
Traditionally the outcome of either communal or solitary cutting, piecing, and sewing efforts, quilts are both functional and tactile expressions of their makers’ emotions, ideas, and materials at hand that could be recruited into meaningful service. Those drawn to making quilts in response to 9/11 frequently used patriotic motifs, religious symbols, and images that quickly became emblematic of the attacks, such as the Twin Towers, the 5-sided Pentagon, airplanes, and firefighting paraphernalia. Some quilts served as memorial gestures in honor of specific individuals or groups of coworkers who had been killed while also performing therapeutic and healing functions for those making them. Communication of the magnitude of human loss suffered on 9/11 and the event’s disproportionate impact on particular companies, agencies, towns, and colleges are other themes that emerged among quilters.
HIDE
